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Hammett O'Neale
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A very fine and rare
Chelsea ‘Goat & Bee’ jug, the slender pear-shaped body moulded and
sculpted on either side of the base with recumbent horned goats amongst
vegetation. Beneath the irregular peach-shaped spout and applied to the
shoulder of the jug sits a bee, its legs and wings carefully modelled, the
applied oak twig handle with naturalistic oak leaves.
Circa: 1745-49
Height: 4 3/16 ins (10.7 cm)
Mark: The incised triangle mark
For an example incised ‘Chelsea’ and dated ‘1745’ see ‘Eighteenth Century
English Porcelain from the British Museum’, exhib. Catalogue at the
International Ceramics Fair, London , June 1987, p.5 no. 1. This piece has
its roots within the silver produced by Nicholas Sprimont prior to the
start of the Chelsea porcelain manufactory. See the Victoria & Albert
Museum example of the Ashburnham centrepiece made by Sprimont, the design
incorporates 2 recumbent goats. It is also tantalising to see two symbols
sometimes associated with Jacobite significance, the bee below the spout
and the oak leaves at the handle. Even the dated example from the British
museum bearing ‘1745’ recalls the Second Jacobite uprising which was put
down so ruthlessly at Culloden during that year by the Duke of Cumberland.
It is however ironic that the Duke of Cumberland is reputed to have had an
involvement in the Chelsea factory.
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