FINE CERAMICS AND WORKS OF ART
Bibliography
1 Elizabeth Adams, Chelsea Porcelain (London, 1987)
2 Elizabeth Adams and David Redstone, Bow Porcelain (London, 1991)
3 Carl Albiker, Die Meissner Porzellantiere im 18 Jahrhundert (Berlin, 1959)
4 John Austin, Chelsea Porcelain at Williamsburg (1977)
5 Franklin Barrett, Worcester Porcelain (1953)
6 Meredith Chilton and J.P. Palmer, 'A Taste of Elegance, eighteenth century English Porcelain from private collections in Ontario', exhib Cat, 1986
7 Geoffrey de Bellaigue, Sèvres Porcelain from The Royal Collection (1970)
8 Geoffrey de Bellaigue, 'A Diplomatic Gift', The Connoisseur, June 1977, pp. 92-99.
9 Anton Gabszewicz and Geoffrey Freeman, Bow Porcelain, The Collection formed by Geoffrey Freeman (1982)
10 Anton Gabszewicz, Made in New Canton, Bow Porcelain from the Collection of the London Borough of Newham (2000)
11 Dr. Chris Girton, The Two Quail Pattern, 300 years of Design on Porcelain, No. 23 (2004)
12 Dr. Yvonne Hackenbroch, Chelsea and other English Porcelain, Pottery and Enamels in Irwin Untermeyer Collection (1957)
13 Brian Haughton Antiques, Exhibition Catalogue, 'A Private Collection of Early Eighteenth Century English Blue & White Porcelain' (2003)
14 Brian Haughton Antiques, Exhibition Catalogue, 'Splendour in the Grass' (2004)
15 Brian Haughton Antiques, Exhibition Catalogue, 'Splendour of a Golden Age, 18th Century English Porcelain 1745-1770' (2004)
16 Brian Haughton Antiques, Exhibition Catalogue, 'Royal Splendour'(2005)
17 Geneviève Le Duc, Porcelaine tendre de Chantilly, An XVIII siecle, Paris (1996)
18 Marcel Laurent, Porcelain de Tournay
19 Margaret Legge, Flowers and Fables, a Survey of Chelsea Porcelain, 1745-69, National Gallery of Victoria, Melbourne, Australia
20 H.R. Marshall, Coloured Worcester Porcelain of the First Period (1954)
21 Jean Pillement, The Ladies Amusement, the 1959 facsimile copy of the original 1759 Publication.
22 Rainer Ruckert, Meissner Porzellan (Munich, 1966)
23 F. Severne Mackenna, Chelsea Porcelain, the Red Anchor Wares (1951)
24 F. Severne Mackenna, Chelsea Porcelain, Triangle & Raised Anchor Wares (1951)
25 Scholes, Oxford Companion to Music (1950 and subsequent editions)
26 Rosalie Wise Sharp, Ceramics, Ethics & Scandal.
27 H. Tait, 'James Rogers, a Leading Porcelain Painter at Worcester, c. 1755-1765', The Connoisseur, vol. CXLIX, No. 62, April 1962.
28 Raymond C. Yarborough, Bow Porcelain and the London Theatre (1996)
We would also like to thank for their interest and academic input:- Aileen Dawson, Anton G. Gabszewicz, Charlotte Gere, Geoffrey C. Munn, Jonathan G. Ouvry, Dr. Paul B. Riley.